niedziela, 30 sierpnia 2009

BOREDOMS - SUPER AE [1998]



"Of all the artists in Japan's thriving noise-music community, the Boredoms undoubtedly had the most fun. Although their maniacally extreme cacophony was by no means accessible listening, it was underpinned by a gleeful sense of humor that helped them find a limited (but still surprisingly wide) audience among alternative rockers. A typical Boredoms track might feature massively distorted guitars, squealing synths, any number of odd found-object noisemakers, or studio-manipulation effects; conventional song structures are thrown out the window in favor of abrupt, whiplash-inducing changes of direction. With Sonic Youth and Nirvana counting themselves among the Boredoms' fans, the group actually signed major-label deals during the early '90s, both in Japan and the U.S..." AMG

SIMILAR/RELATED: OOIOO, RUINS, MELT-BANANA, HANATARASH, BLACK DICE, AFRIFAMPO

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VBR@~200KBPS

MY BLOODY VALENTINE - YOU MADE ME REALISE [1988]



"Like the Velvet Underground, Sonic Youth, and the Jesus & Mary Chain before them, My Bloody Valentine redefined what noise meant within the context of pop songwriting. Led by guitarist Kevin Shields, the group released several EPs in the mid-'80s before recording the era-defining Isn't Anything in 1988, a record that merged lilting, ethereal melodies of the Cocteau Twins with crushingly loud, shimmering distortion. Though My Bloody Valentine rejected rock & roll conventions, they didn't subscribe to the precious tendencies of anti-rock art-pop bands. Instead, they rode crashing waves of white noise to unpredictable conclusions, particularly since their noise wasn't paralyzing like the typical avant-garde..."

SIMILAR/RELATED: SLOWDIVE, RIDE, CHAPTERHOUSE, PALE SAINTS, THE JESUS AND MARY CHAIN, LUSH, ASTROBRITE

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MP3@256KBPS

ERRATA - SELF TITLED EP [2009]



PORTUGUESE SCREAMO/POST-ROCK BAND.

SIMILAR/RELATED: INYS, UMEALVEN, SCOLD FOR WANDERING, CELESTE, TANEN,

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NEUROSIS - TIME OF GRACE [1999]



"Formed in Oakland, CA in late 1985, Neurosis developed a style blending industrial, heavy metal, and alternative rock with often spiritually focused lyrics. Members Steve Von Till (guitar, vocals, percussion), Dave Edwardson (bass, vocals), Scott Kelly (bass, vocals), Jason Roeder (drums), Noah Landis (keyboards, samples, tape effects), and Pete Inc. (visuals) debuted in 1987 with the album Pain of Mind, but it took nearly five years for any follow-up to be released. Both Souls at Zero and The Word as Law appeared in 1992, followed by Enemy of the Sun a year later. 1996's Through Silver in Blood became the band's most popular release, and 1999's Steve Albini-produced Times of Grace helped build upon that breakthrough. Sovereign followed a year later. 2001's Sun That Never Sets stuck with more tribal-like beats and composition. " AMG

SIMILAR/RELATED: NEUROSIS&JAROBE, CULT OF LUNA, ISIS, MINSK, A STORM OF LIGHT, OLD MAN GLOOM, ROSETTA

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MP3@320KBPS

OM - PILGRIMAGE [2007]



"The sparingly named Om reunites the oft-heralded Sleep rhythm section of Al Cisneros (bass, vocals) and Chris Haikus (drums); but this time, rather than producing monolithic stoner/doom metal, the duo is focused on a softer, if no less hypnotic brand of drone rock, partly infused with monastic and Tibetan chanting. Since reconnecting in 2004, the duo has released its epic sonic meditations in the shape of split EPs with the likes of Current 93 and Six Organs of Admittance, and albums like 2005's Variations on a Theme, 2006's Conference of the Birds, and 2007's Pilgrimage." AMG

SIMILAR/RELATED: SLEEP, EARTH, UFOMAMMUT, ELECTRIC WIZARD, ACID KING, GOATSNAKE, BURNING WITCH

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MP3@320KBPS

RADIUS SYSTEM - ESCAPE/RESTART [2008]



"Torn between a desire for effectiveness and a need for experimentation, Radius system evolves towards a sound melting down hi-distorted rock, electronica, and the wide sonic spaces of post-hardcore." LAST.FM

SIMILAR/RELATED: FINAL LIGHT, DOUBLE HANDSOME, STELLADRIVE, LOSS OF A CHILD, THE SHY TRAFFICKER, MOYA

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ISIS - OCEANIC/PANOPTICON [2002/2004]






"Although rooted heavy metal and the punk/hardcore aesthetic, Isis' music relies just as heavily on ambience, atmosphere, and tone as it does complexity and aggression. Not so much a band per se as a musical collective, the members of the Boston-based quintet layer their compositions with feedback, power chords, quiet/loud dynamics, and vocals that are sometimes shouted, frequently screamed, and occasionally sung. The band was formed by Hydra Head Records owner Aaron Turner, who was hoping to combine the minimalism of Earth and the Melvins with the experimentalism of Godflesh, backed by the depth and power of the band's most obvious musical counterpart, Neurosis. It was the union of Turner with bassist ..." AMG

SIMILAR/RELATED: CULT OF LUNA, NEUROSIS, PELICAN, ROSETTA, CALLISTO, RED SPAROWES, MINSK

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MP3@320KBPS

TODAY IS THE DAY - IN THE EYES OF GOD [1999]



"Quasi-cult-like in its construction, surgical in its execution, eclectic to a fault, Today Is the Day emerged from Nashville, TN, in 1992 as a trio of musical misfits with tremendous technical abilities lead by founder, guitarist, and vocalist Steve Austin. Not the simplest to define sonically, Today Is the Day combines the challenging time signatures and chameleon-esque musical proficiency of King Crimson with the raw-boned intensity, volume, and power of Slayer. Between those poles, Austin and the various incarnations of Today Is the Day have experimented brazenly, audaciously, and fearlessly with sound, tone, and style, utilizing everything from found samples to acoustic instruments to synthesizers to all-out death metal and grindcore beats. In doing so, the band has earned the distinction as one of extreme music's most talented, peculiar, searching, and influential acts. After releasing a self-financed EP on the band's own Supernova Records, Today Is the Day returned to Austin's former home of Detroit, MI, to record a demo tape. One of those tapes fell into the hands of Amphetamine Reptile Records head Tom Hazelmeyer, who immediately signed the band to a multiple album deal..." AMG

SIMILAR/RELATED: UNSANE, ZENI GEVA, KNUT, BURNT BY THE SUN, TUSK, ANTIGAMA, YAKUZA

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MP3@320KBPS

sobota, 29 sierpnia 2009

LIGHTNING BOLT - EARTHLY DELIGHTS [2009]



"Lightning Bolt emerged from Providence, Rhode Island in 1995 as a three-piece art school project. Initially there was Brian Chippendale's explosive, non-stop drumming, Brian Gibson's Contortions-like bass lines, and Hisham Bharoocha's vocals propelling them in a fury of volatile noise and orgiastic tribalism. The group helped found Fort Thunder, a music and art collective, and recorded a self-titled album which was issued through Load in 1999. By 2001's Ride the Skies Bharoocha had departed (he eventually formed Black Dice.). This left the vocal duties to Chippendale, who jammed the microphone into his mouth as he drummed. Lightning Bolt did a series of tours with bands like The Locust, Arab on Radar, Orchid, and Melt Banana before returning in 2003 with the studio album Wonderful Rainbow. The album did very well in underground music circles, and set up the release of 2005's Hypermagic Mountain."

SIMILAR/RELATED: MINDFLAYER, BLACK PUS, HELLA, ARAB ON RADAR, BLACK DICE, PINK & BROWN, BOREDOMS

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MP3@320KBPS

sobota, 8 sierpnia 2009

JESU - INFINITY [2009]



"Full album length song ‘Infinity’ on Avalanche Recordings (AREC017), written, recorded and mixed early 2009, with all instruments by Justin K Broadrick. ‘Infinity’ is the most expansive and organic jesu release to date, here JKB revisits his roots of heavy guitar driven music yet still retaining the ethereal atomsphere / soundscape of modern jesu.” justinkbroadrick.blogspot.com


SIMILAR/RELATED: FINAL, GODFLESH, NADJA, ISIS, ROSETTA, PELICAN

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MP3@320KBPS