FOUR TET - THERE IS LOVE IN YOU [2010]

"Four Tet is the name used by Kieran Hebden (born 1977 in Putney, London, UK) for his experimental electronic music-oriented solo efforts, to differentiate from his work with post-rock band Fridge.
Hebden’s solo work typically utilises samples lifted from various sources including hip-hop, electronica, techno, jazz, and folk mixed with his own guitar playing. Four Tet shares some stylistic similarities with other musicians, such as Prefuse 73, who use computer editing techniques that give the music a staccato, cut-up feel. Hebden’s music is notable for its rich, organic sounds and harmonious melodies as well as for eschewing the traditional pop-song format in favour of a more abstract approach.
Kieran Hebden began releasing material as Four Tet in 1998 with the 36 minute and 25 second single “Thirtysixtwentyfive” on Trevor Jackson’s Output Recordings label. Later that year, he released a second single, the jazz-influenced “Misnomer”. 1999’s “Dialogue”, again on Output, was Four Tet’s first full-length album release and fused hip-hop drum lines with dissonant jazz samples. This was followed by the double A-side single “Glasshead”/”Calamine”, which was to be Four Tet’s last release on Output."
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FOUR TET - ROUNDS [2003]

"For his solo projects, Fridge's Kieran Hebden is a lo-fi experimentalist who, had he been recording 15 years ago, would've been cranking out songs on a four-track recorder instead of a laptop. As demonstrated on his third record, Rounds, he's one of the few musicians capturing all the promise inherent in computer science -- being able to summon, manipulate, and mix any sound imaginable. The record offers something to nearly every audience that could approach it, with a bit of a groove for electronic fans, an obtuse sense of music-making for experimentalists, and a dreamy melodicism sure to endear it to indie-pop fans. The opener, "Hands," is especially breathtaking; it begins with a few seconds of drum samples, surgically inserted and ill-timed, but opens into a warm, melodic production with a simple frame-kit beat outlining Hebden's guitar-and-keyboard atmospherics. "My Angel Rocks Back and Forth" features a music-box melody playing against softly shaded backmasked guitar and a subdued, grating percussion line reminiscent of an iron lung. The nine-minute "Unspoken" alternates guitar and piano playing the same beatific melody, over another simple beat and tambourine claps. Though Rounds is experimental by nature, Kieran Hebden's gift for melody and emotional shading allows his records to be enjoyed by an audience wider than merely experimental listeners." AMG

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